Excerpt from Charlie Rose interview with Alexander McQueen, 17 November 1997
Courtesy of Charlie Rose, Inc.
Excerpt from Florence Biennale, Alexander McQueen and Nick Knight, 1996
Courtesy of Nick Knight and SHOWstudio.com
Photographs © Robert Fairer
Excerpt from Bellwether, Alexander McQueen and Nick Knight, 2003
Courtesy of Nick Knight and SHOWstudio.com
Excerpt from Transformer, The Bridegroom Stripped Bare, Alexander McQueen and SHOWstudio, 2002
Courtesy of Nick Knight and SHOWstudio.com
Excerpt from BBC documentary, The Works: Cutting Up Rough, Alexander McQueen, 20 July 1997
Courtesy of BBC
Excerpt from Fashion Television episode 17X, The Incredible Life and Tragic Death of Alexander McQueen, 2010
Courtesy of Fashion Television © BELL MEDIA INC. All rights reserved.
Excerpts from Alexander McQueen runway presentations, all courtesy of YOOX Net-a-Porter Group, Runway Collection, Fashion Footage Archive:
Jan van Eyck, The Arnolfini Portrait (detail), 1434, The National Gallery, London (NG186)
Peter de Jode II (engraver), Peter Paul Rubens (after), The union of Sea and Earth (detail), mid-17th century, National Gallery of Victoria (1674-3)
Master of Flémalle, Robert Campin (workshop), The Bad Thief to the Left of Christ; former exterior wing of the triptych: Saint John the Baptist (fragment) (detail), c. 1430, Städel Museum (886)
Tawaraya Sōtatsu (school of), Flowering plants of the four seasons (Shikisōka zu 四季草花図) (detail), c. 1630-40, National Gallery of Victoria (611-D2)
Maria van Oosterwyck, Still life with flowers and butterflies (detail), 1668, National Gallery of Victoria
Japan, Chapter 5: Young Murasaki (Waka Murasaki) from the Tale of Genji album, mid 17th century, National Gallery of Victoria (AS2-1976)
The Royal School of Art Needlework, London (manufacturer), William Morris (designer), Edward Burne-Jones (designer), Poesis, c. 1880, National Gallery of Victoria (CT1-1992)
Eadweard Muybridge, Bird in flight, 1887, Victoria and Albert Museum (PH.1273-1889)
William Morris, The Earthly Paradise by William Morris. Vol 1, 1897, National Gallery of Victoria (P89.1-1980)
Gustave Doré, Là Minos siège terrible et grondant, 1861, Bibliothèque nationale de France (FOL-DC-298 (GB))
Etienne Isidore Hangard-Maugé (lithographer), Christian Schultz (draughtsman) Hubert van Eyck (after), Jan van Eyck (after), The Adoration of the Lamb (The Ghent Altarpiece), 1868, National Gallery of Victoria (p.15.10-1)
Charles Ricketts, Illustration to Shelley, c. 1892, National Gallery of Victoria (356-2)
Anonymous, Jan van Eyck (after), Portret van Margareta van Eyck, 1809-1900, Rijksmuseum Amsterdam (RP-P-1971-320)
Master S, Three skulls on a carved tomb, c. 1525-1550, National Gallery of Victoria (1278.225-3)
Scotland, Length of Royal Stuart Tartan, 1968-69, National Gallery of Victoria (D20.a-b-1969)
Giovanni Toscani, Madonna and Child, early 15th century, National Gallery of Victoria (557-4)
Hieronymus Bosch, The Haywain Triptych, 1512-15, Museo Nacional del Prado (P002052)
Albrecht Dürer, The Apocalyptic Woman, c. 1497, National Gallery of Victoria (3541-4)
Katy England quoted in ‘Interviews and Reflections: Katy England’, Alexander McQueen: Mind, Mythos, Muse, eds. Clarissa M. Esguerra, Michaela Hansen, Katie Somerville and Danielle Whitfield (Melbourne: National Gallery of Victoria, 2022): 198.
Duration: 2 mins, 10 secs