NGV Magazine Issue 7 Nov – Dec 2017
Issue #7 is all about Australian art and culture. We welcome the festive months with The Pool, an architecture exhibition on display at The Ian Potter Centre: NGV Australia, Julie Ewington writes about the ‘Australianness’ of contemporary art here and now, and four leading Australian artists share their motivations, drivers, inspirations and studio processes. Internationally, and ahead of the NGV Triennial exhibition opening in December, we also profile three more NGV Triennial artists.
All this and more in the Nov/Dec issue of NGV Magazine.
Features in this issue
PARTICULARITY AND PARTICIPATION
‘Artists offer individual insights, original windows onto the world we know and into worlds we might invent.’
Julie Ewington on Australian art today.
HELEN MAUDSLEY
‘They’re always essays about these things that are puzzling me and that I can’t really find an answer to.’
Helen Maudsley speaks to Gabriella Coslovich about her ‘visual essays’.
DEL KATHRYN BARTON
‘I am clear about the spaces I need to inhabit to make work that feels pure and authentic.’
Del Kathryn Barton with writer Naomi Tosic.
LOUISE PARAMOR
‘Embedded in the structures is a sense of nostalgia imparted by the ‘honeycomb’ paper.’
Louise Paramor writes about her latest installation, Palace of the Republic.
MEL O’CALLAGHAN
‘My works may be seen as a type of destruction in order to create, mirroring nature’s cycle of death and renewal.’
Mel O’Callaghan reflects on the path that led to her creative career.
TRIENNIAL SPOTLIGHT
‘We used a material to create a pavilion inspired by traditional flora of the Brazilian forest, such as the Victoria Amazonica, the water plants, and created a large embroidery with the artists.’
Humberto Campana talks about his collaboration with Elliat Rich, James B. Young and Yarrenyty Arltere Artists.
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