Warraba Weatherall<br/>
<em>InstitutionaLies</em> 2017; 2025 {made} (detail)<br />

steel, aluminium, string<br />
273.0 x 446.0 x 446.0 cm<br />
National Gallery of Victoria, Melbourne<br />
Purchased with funds donated by Krystyna Campbell-Pretty AM and Family, Olga Kononchuk, Chris Thomas AM and Cheryl Thomas, and Janet Whiting AM and Phil Lukies and family, 2025<br />
<br />
© Warraba Weatherall, courtesy Milani Gallery
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Yhonnie Scarce & Warraba Weatherall In Conversation

Sat 9 May, 2pm–2.45pm

Free entry

The Ian Potter Centre: NGV Australia, Fed Square

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Ground Level
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Art can be a vessel for memory, a tool of resistance, and a reckoning with the structures that shape our lives.

Hear from artists Yhonnie Scarce and Warraba Weatherall in a conversation that celebrates the display of their works in Wurrdha Marra. Hosted by Dr Jessica Clark Senior Curator, at the NGV, this special event provides an opportunity for these two leading artists to reflect on how material, history, and power intersect in their practices, and how institutions can become sites not just of display, but of responsibility and transformation.

About the speakers

Warraba Weatherall (Kamilaroi) is an artist, lecturer and cultural scholar. His research-led practice seeks to regenerate Kamilaroi knowledge systems and critique museum and archival practices. Weatherall’s sculptures and installations appear minimal yet open complex dialogues on surveillance, incarceration, power and control. Weatherall has exhibited across Australia and internationally, including a solo exhibition at the Museum of Contemporary Art at Tallawoladah, Gadigal Country/Sydney in 2025. Along with Tony Albert, Weatherall is also a member of the Aboriginal arts collective, proppaNOW.

Yhonnie Scarce (Kokatha/Nukunu) was born in Woomera, South Australia, and belongs to the Kokatha and Nukunu peoples.Scarce’s interdisciplinary practice explores the political nature and aesthetic qualities of glass and photography. Her work often references the ongoing effects of colonisation on Aboriginal people; in particular, her research has explored the impact of the removal and relocation of Aboriginal people from their homelands and the forcible removal of Aboriginal children from their families. Family history is central to Scarce’s work, drawing on the strength of her ancestors, she offers herself as a conduit, sharing their significant stories from the past.

Generously supported by the Ullmer Family Foundation as part of Resonance: Truth Telling at NGV.

Wurrdha Marra