Medium
		hand-coloured lithograph and gum arabic
Measurements
		25.5 × 20.6 cm (image) 29.0 × 20.6 cm (image and text) 36.1 × 27.8 cm (sheet)
Credit Line
			National Gallery of Victoria, Melbourne
Felton Bequest, 1944			
Gallery location
		Not on display
About this work
In mid nineteenth–century France, women began to take on more active roles in public life and political discourse. They participated in protests, strikes and political discussions, demanding greater rights, including suffrage. In his 1849 series Socialist Women, Honoré Daumier satirises the fight for women’s independence. In keeping with contemporary misogynistic attitudes, Daumier portrays politically active, left-leaning women as overly zealous, disconnected from practical concerns, and bordering on the ridiculous. In the first plate from the series, three women resemble witches gathered around a cauldron.
Place/s of Execution
		Paris, France
Catalogue/s Raisonné
		Delteil 1918 ii/ii
Edition
		2nd of 2 states
Printing/Publishing
		printed and published by Aubert & Cie, Paris
Inscription
		printed in ink (in image) l.l.: h.D.
printed in ink l.l.: Chez Aubert, Pl. de la Bourse.
printed in ink (in image) l.r.: 1291
printed in ink l.r.: Imp. Aubert & Cie (. under i)
Accession Number
		1337-4
Departments
			International Prints / International Prints and Drawings
This digital record has been made available on NGV Collection Online through the generous support of the Joe White Bequest