Lorraine Connelly-Northey reclaims her Waradgerie (Wiradjuri) heritage by reviving Aboriginal weaving practices. After learning about plants once used for woven objects, she expanded her medium, sourcing modern materials like rusted wire and galvanised iron from town and bush landscapes. Connelly-Northey’s art reshapes these materials into culturally resonant, post-colonial artifacts with strong political significance. In her reinterpretation of the possum skin cloak, traditionally made from possum pelts and engraved with familial histories, she transforms discarded objects to honour Indigenous cultural narratives and highlight the impacts of colonisation.