Bach’s Allemande from the D minor Partita No 2 in the Gallery

Inspired by Meindert Hobbema’s The old oak

Debussy’s Syrinx in the Salon Gallery

Inspired by Edward Burne-Jones’s The garden of Pan

Sarabande from Bach’s Suite No 1 for Violoncello in the Salon Gallery

Inspired by Salomon van Ruysdael's River landscape with boats

Bertram Mackennal: Beauty to be discovered

Curator Talk

John Brack: Capturing the ordinary

Curator Talk

Tom Roberts: naturalistic bent

Curator Talk

A hand is discovered in Anne Forbes’ Portrait of Lady Elizabeth Hamilton

Dr. Maria Quirk reflects on the work

Elizabeth Thompson’s The 28th Regiment at Quatre Bras

A celebrated military painter

Josephine and Napoléon divorce

Laurie Benson shares the story behind the painting

Drop-by Drawing with Lily Mae Martin

A how-to series on sketching

Drop-by Drawing with Minna Gilligan

A how-to series on sketching

Drop-by Drawing with Kenny Pittock | The Melon

A how-to series on sketching

Part 1: Introducing Marking Time

Marking Time guided exhibition tour

Part 2: From rock escarpment to bark

Marking Time guided exhibition tour

Part 3: A momentous change in Indigenous Art

Marking Time guided exhibition tour

Part 4: Iconography in modern art forms

Marking Time guided exhibition tour

Part 5: Senior Warlpiri women render permanent sacred designs

Marking Time guided exhibition tour

In Absence | Behind the Design

2019 NGV Architecture Commission

Arthur Streeton’s Corfe Castle

With Curator of International Art, Laurie Benson

Edwin Landseer’s Scene from A Midsummer Night’s Dream

With Senior Curator of International art, Ted Gott

Louise Bouteiller’s Césarine de Houdetot, Baronne de Barante, reading Paul et Virginie

With Senior Curator of International art, Ted Gott

A Master of Indigenous art: Johnny Warangkula Tjupurrula’s Kampurarrpa

With Judith Ryan AM, Senior Curator of Indigenous art

Grace Crowley’s Girl with goats

With Beckett Rozentals, Curator of Australian Painting, Sculpture & Decorative Arts to 1980

Bach’s Allemande from the D minor Partita No 2 in the Gallery

Inspired by Meindert Hobbema’s The old oak

Debussy’s Syrinx in the Salon Gallery

Inspired by Edward Burne-Jones’s The garden of Pan

Art Highlights: The First Cloud & Anguish

Art Tour – The Great Nineteenth Century

Art Tour – The European Grand Tour

Sarabande from Bach’s Suite No 1 for Violoncello in the Salon Gallery

Inspired by Salomon van Ruysdael's River landscape with boats

Exhibition Tour – Colin McCahon: Letters and Numbers

Artist Talk – In Absence: NGV Architecture Commission 2019

Exhibition Introduction: Top Arts 2020

Exhibition Tour – Japanese Modernism