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Curating Indigenous Art
Presented in Collaboration with Koorie Heritage Trust, ACMI and Deakin University
Gail Harradine and Hannah Presley lead a conversation with local Indigenous art curators as part of Reconciliation Week.
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Introduction to Indigenous Art in the NGV Collection
NGV Senior Curator of Indigenous Art Judith Ryan AM provides an introduction to Indigenous art – past, present and future – through close examination of major works in the NGV…
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MARKING TIME: INDIGENOUS ART FROM THE NGV
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Marking Time | Part 3: A momentous change in Indigenous Art
Explore Marking Time: Indigenous Art from the NGV with NGV Senior Curator of Indigenous Art, Judith Ryan AM as she shares that change that occurred in Indigenous Art in 1971…
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Indigenous Voices of Creative Assertion and Resistance
In 1986, spirited Warlpiri women of Lajamanu, a small community in Gurindji Country on the edge of the Tanami Desert, in the Northern Territory, painted a groundbreaking series of gouaches…
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Indigenous Voices of Creative Assertion and Resistance
Listen to Judith Ryan AM ‘The women’s work from Lajamanu community is both old and boldly ne
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Marking Time: Indigenous Art from the NGV
Can’t see the Virtual Tour? Check to see if you have the system requirements Read the exhibition labels Visit the exhibition page
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Marking Time: Indigenous Art from the NGV
When Europeans arrived, the old ways of painting changed … We have changed the law, the old fashioned way of painting has finished and we are new people doing new kinds of painting together for non-Aboriginal people as wel
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From Bark to Neon: Indigenous Art from the NGV Collection
When Europeans arrived, the old ways of painting changed.
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INTERNATIONAL INDIGENOUS DESIGN CHARTER LAUNCH
Presented by Indigenous Architecture and Design Victoria (IADV)
The International Indigenous Design Charter: Communication Design is a self-regulated, best practice guide that supports existing policies, procedures and protocols to ensure the rights of indigenous stakeholders
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Hermansburg Potters: Indigenous Art, Football and Community Education Resource
The Hermannsburg Potters belong to a small community 130 kilometres south-west of Alice Springs.
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Indigenous Art: Moving backwards into the future
Significant historical and contemporary Indigenous art works will sit side by side, exploring place and identity in Indigenous Art: Moving backwards into the future at The Ian Potter Centre: NGV…
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Indigenous Art
Moving Backwards into the Future
Indigenous Art: Moving Backwards into the Future is an interdisciplinary exhibition that features more than 100 of the finest Aboriginal and Torres Strait Islander works from the NGV collection.
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The Quick and the Dead, Purchasing Indigenous art 1988–1990
The new public prominence of Aboriginal art remains the greatest single revolution in the past quarter-century in Australian art
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Indigenous art
This multi-disciplinary collection display continues the Melbourne Now focus on contemporary Indigenous art practice, but expands the compass from greater Melbourne to the length and breadth of Indigenous Australia.