Gender

Essays

A Studio of Her Own: Women Artists, 1500-1900

Regencycore: Dress and Jane Austen

A Most Famous Painter

The sublime world of Agnes Martin

Pictures You Can Feel: The Photography of Christine Godden

The Metropolis and Desire: Modernist Photobooks Women Photographers 1900–1975: A Legacy of Light

Women Photographers 1900 – 1975: A Legacy of Light

Sylvia Pankurst, The chainmaker

The mystique of Madame Bertaux

A salute to Frau-haus!

Coming back home

The rainbow flag: a borderless design

Queering the nation, querying the history of Black portraiture: Zanele Muholi’s Somnyama Ngonyama as a healing ritual

A Studio of Their Own: Lavinia Fontana and Elisabetta Sirani

Women and Dutch still life painting

In her likeness: Recasting the stories of famous women in art

‘Who was this talented Maria Margaretha la Fargue?’

Rebels: The Life-changing Women’s Movement Behind a Prison Medal

The power of ‘women’s work’: craftivism

Fashioning identity: Madeline Green, Gwen John and Claude Cahun

Dancing on the edge: Sonia Delaunay and Harriet Whitney Frishmuth

Indigenous Voices of Creative Assertion and Resistance

Divergent Ambitions: The Door of Hope Mission in early twentieth-century Shanghai

Are You Listening? The poster as a site for resistance

Hester Bateman: An eighteenth-century entrepreneur

She Is Like No Other: A call and response to Umma (Mother)

Raising the Flag

Women of Industry: Frances Burke and Joyce Coffey

Beyond Pretty: The possibilities of contemporary jewellery

Mary Beale: pioneer of portraiture

Aboriginal Feminism and Gender

Living Libraries: Feminist histories in the art of Emily Floyd

Selling Suffrage: Visual culture and merchandise

Rediscovering Fumie Taniguchi

Shirin Neshat: Dreamers

Artistic souls: Edward Burne-Jones and his portrait of Baronne Deslandes

Marriage and murder: two wedding chests with representations of Judith

Constance Jenkins, her painting Friendly critics and the National Gallery of Victoria Travelling Scholarship

Arthur Hughes’s La Belle Dame sans merci and the femme fatale

J. W. Waterhouse’s Ulysses and the Sirens: breaking tradition and revealing fears

Taboo or Not Taboo, the fashions of Leigh Bowery

The Multiple Worlds of Cindy Sherman’s History Portraits

Bilda Miburiji Kurrij (Seeing with Far Eyes): The Root of Kaiadilt Women’s Art

Videos

The Female Australian Impressionists Pivotal painters

Florence Fuller’s Paper boy | Melbourne in 1888 Perspectives from an NGV Curator and Conservator

Art Tour – Women in Art: 17th–18th Century

Bleached Gothic An interview with Petrina Hicks