Happy Ending
(2017)
Medium
noble black granite
Measurements
112.5 × 75.0 × 22.0 cm
Credit Line
National Gallery of Victoria, Melbourne
Purchased NGV Foundation, 2018
© Nell
Gallery location
Not on display
Artwork Details
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Essay
Portrait group: The singer Farinelli and friends
Essay
Queering the family portrait: Jacopo Amigoni’s portrait of Farinelli and friends
Essay
Mina Moore’s photographic portrait of Nellie Stewart
Essay
Observations on the red chalk figure studies of Baccio Bandinelli: two examples at Melbourne
Essay
John Henry Connell: the man and his collection
Exhibition
Textiles of Michael O’Connell
Essay
Finding light in the shadows: the cleaning and restoration of Tiepolo’s The banquet of Cleopatra
Essay
Buying for the future: Mary Woodall and Italian Old Master paintings
Essay
No form can be spatial: the origins of Lucio Fontana’s Spatial concept
Essay
Making sense of nonsense: pseudo-script on an Italian Renaissance maiolica dish
Essay
From the archives: the writing of Ursula Hoff
Essay
Robert Mapplethorpe Irises 1987
Essay
William Blake: Romantic visionary
Essay
The lasting impact of Alfred Felton’s legacy
Essay
A technical examination of William Blake’s Virgil wood engravings
Essay
William Blake and the NGV: the history of the Virgil wood engravings
Exhibition
British Painting 1600–1800
Exhibition
New York Style
Essay
The crucifixion
Essay
Gaetano II Sforza Cesarini, Duke of Segni
Explore the collection
Atlantic is a sea of bones
TOURMALINE
The first cloud
William Quiller ORCHARDSON
Bask
Gemma SMITH
Collins St, 5p.m.
John BRACK
The ship of fools
Murray WALKER
Shutdown
Robert HAGUE
Mysteries of the MIA
GUERRILLA GIRLS, New York (art collective)
Lee199
882021
Garden terrace Miyazaki, by Kengo Kuma
Erieta ATTALI
Screen shots
Steve CARR
Irish Not a feminist
GUERRILLA GIRLS, New York (art collective)
Midnight traceur
Shaun GLADWELL
Window work (intersections and notations)
Rebecca BAUMANN
Philadelphia centrepiece: Tray
Robert BAINES
Concave convex mirror
Dean NORTON
Jet stream
Julian OPIE
Day for night
William KENTRIDGE
Glass Wood House #3, by Kengo Kuma
Erieta ATTALI
A masked portrait with a red eye
Murray WALKER
The door
Heidi YARDLEY
Sam
Chris MASON
Drumming rate
Neil TAYLOR
Walking the line
Arlo MOUNTFORD
Glass Wood House #2, by Kengo Kuma
Erieta ATTALI
Forever bicycles
AI Weiwei
Saturday
Camille HENROT
Face in the crowd
Alex PRAGER
Death metal Jesus
Toby POLA
A roll of blue and white striped cloth
HU Qingyan
Untitled
Elizabeth NEWMAN