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Painting
Clarice Beckett | A leading artist
With Curator Beckett Rozentals
Florence Fuller’s Paper boy | Melbourne in 1888
Perspectives from an NGV Curator and Conservator
Monet’s Vétheuil | An idyllic scene
With NGV Senior Curator Ted Gott
Colin McCahon | Letters and Numbers
With Curator of Contemporary Art Jane Devery
Sarabande from Bach’s Suite No 1 for Violoncello in the Salon Gallery
Inspired by Salomon van Ruysdael's
River landscape with boats
Floral Arranging Series | Episode 2, Pt 2
Native Australian Florals
A Conservator’s point of view
The making of
Shearing the rams
by Tom Roberts
Discussing Arthur Streeton’s work
The purple noon’s transparent might
Making a frame for McCubbin’s North Wind
Floral Arranging Series | Episode 2, Pt 1
Native Australian Florals
Debussy’s Syrinx in the Salon Gallery
Inspired by Edward Burne-Jones’s
The garden of Pan
Bach’s Allemande from the D minor Partita No 2 in the Gallery
Inspired by Meindert Hobbema’s
The old oak
Hockney Unlocked
80 days of behind-the-scenes footage
Grace Crowley’s Girl with goats
With Beckett Rozentals, Curator of Australian Painting, Sculpture & Decorative Arts to 1980
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