Françoise Gilot

Apart from one small still life executed on glass by Valentine Prax (1897–1981), the NGV had no School of Paris paintings by a female… read more

Live in-studio artist visit – Ann Shoebridge Get to know artists Nathaniel Mellors | Ourhouse episode -1: Time Korean art and culture NGV Curator’s perspective NGV’s Australian Silver Collection Decorative emu eggs Live in-studio artist visit – Nikos Pantazopoulos Get to know artists Margaret Worth’s Fragment 9 A colour field painter NGV Friday Night In with Claire Knight Live from NGV nendo’s Manga chairs 2017 NGV Triennial KAWS: An exploration of human emotions Senior Curator Dr. Simon Maidment on Brian Donnelly The world of wabi-sabi | Japanese ceramics and kimono With NGV Curator Live in-studio artist visit – James Lemon Get to know artists Live in-studio artist visit – Claire Best Get to know artists New Ghost from BodyTorque.Digital NGV X The Australian Ballet Large and Lavish: Italian Cassoni Chests NGV Curator shares their history NGV’s Australian Gold Collection Stories of Melbourne Taniguchi Fumie’s Preparing to go out A reflection of changing times Yoshua Okón | Octopus NGV Friday Night In with Bertie Live from NGV Live in-studio artist visit – Philip Samartzis Get to know artists Live in-studio artist visit – Elisa Jane Carmichael Get to know artists Live in-studio artist visit – Timo Nasseri Get to know artists A father paints his daughter | Susanna Highmore With Assistant Curator Dr. Maria Quirk Clarice Beckett | A leading female artist With Curator Beckett Rozentals NGV Friday Night In with Lucreccia Quintanilla Live from NGV NGV Friday Night In with Soju Gang Live from NGV Capriccio from BodyTorque.Digital NGV X The Australian Ballet Daniel von Sturmer | Tableaux Plastique (Sequence 2) Florence Fuller’s Paper boy | Melbourne in 1888 Perspectives from an NGV Curator and Conservator Online Art Tutorial | Chance, Gesture and Surface with Louise Weaver Drop-by Drawing with Juan Ford | An archer A how-to series on sketching Monet’s Vétheuil | An idyllic scene With NGV Senior Curator Ted Gott New York City Photographs | NGV Collection With Senior Curator of Photography Susan Van Wyk Live in-studio artist visit – James Walsh Get to know artists Live in-studio artist visit – Iris van Herpen Get to know artists The Guerrilla Girls’ Guide to Behaving Badly Colin McCahon | Letters and Numbers With Curator of Contemporary Art Jane Devery Live in-studio artist visit – Claire Lambe Get to know artists Exhibition Tour – Collecting Comme Art Tour – Women in Art: 17th–18th Century Craft and Culture | Textiles in the Asian galleries With Senior Curator of Asian Art Wayne Crothers Live in-studio artist visit – Amelia Wallin Get to know artists Sonia Leber and David Chesworth | We are printers too Exhibition Tour – Japanese Modernism Floral Arranging Series | Episode 3 Garden Arrangements Top Arts 2020 Exhibition Introduction Artist Talk – In Absence: NGV Architecture Commission 2019 Exhibition Tour – Colin McCahon: Letters and Numbers Live in-studio artist visit – Christopher Boots Get to know artists Live in-studio artist visit – Darren Sylvester Get to know artists A new challenge with every Frame | NGV Frame Conservation NGV Centre for Frame Research Sarabande from Bach’s Suite No 1 for Violoncello in the Salon Gallery Inspired by Salomon van Ruysdael's River landscape with boats Art Tour – The European Grand Tour Art Tour – The Great Nineteenth Century A Look at Liquid Light 500 Years of Venetian Glass Live in-studio artist visit – Georgia Nowak & Eugene Perepletchikov Get to know artists Art Highlights: The First Cloud & Anguish Hoda Afshar | Remain Floral Arranging Series | Episode 2, Pt 2 Native Australian Florals Floral Arranging Series | Episode 2, Pt 1 Native Australian Florals Simone Slee | Rocks happy to help hold up hold down Debussy’s Syrinx in the Salon Gallery Inspired by Edward Burne-Jones’s The garden of Pan Live in-studio artist visit – Lisa Waup Get to know artists Floral Arranging Series | Episode 1 Japanese Ikebana Arrangements The Teskey Brothers | Hold Me The State of Music The Teskey Brothers | That Bird The State of Music Bach’s Allemande from the D minor Partita No 2 in the Gallery Inspired by Meindert Hobbema’s The old oak Hockney Unlocked 80 days of behind-the-scenes footage Grace Crowley’s Girl with goats With Beckett Rozentals, Curator of Australian Painting, Sculpture & Decorative Arts to 1980 Drop-by drawing with Kenny Pittock | Anguish A how-to series on sketching A Master of Indigenous art: Johnny Warangkula Tjupurrula’s Kampurarrpa With Judith Ryan AM, Senior Curator of Indigenous art Live in-studio artist visit – Yhonnie Scarce Get to know artists Cassie Leatham for NGV design store Louise Bouteiller’s Césarine de Houdetot, Baronne de Barante, reading Paul et Virginie With Senior Curator of International art, Ted Gott Edwin Landseer’s Scene from A Midsummer Night’s Dream With Senior Curator of International art, Ted Gott William Quiller Orchardson’s The First Cloud With Senior Curator of International art, Ted Gott Animalia art in the Salon With Curator of International art, Laurie Benson Arthur Streeton’s Corfe Castle With Curator of International Art, Laurie Benson In Absence | Behind the Design 2019 NGV Architecture Commission Shaun Gladwell | Midnight Traceur Live in-studio artist visit – Jon Campbell Get to know artists Revisiting ‘Ringer (State)’ by Robert Rauschenberg A reflection from Curator Pip Wallis Perfecting Compositions with Lucy Roleff Yayoi Kusama NGV Triennial 2017 Flowerpiece by Jean François van Dael | How to create an autumn flower arrangement with Flowers Vasette Live in-studio artist visit – Agatha Gothe-Snape Get to know artists Steve Carr | Watermelon Live in-studio artist visit – Isadora Vaughan Get to know artists Part 5: Senior Warlpiri women render permanent sacred designs Marking Time guided exhibition tour Part 4: Iconography in modern art forms Marking Time guided exhibition tour Part 3: A momentous change in Indigenous Art Marking Time guided exhibition tour Part 2: From rock escarpment to bark Marking Time guided exhibition tour Part 1: Introducing Marking Time Marking Time guided exhibition tour Drop-by Drawing with Kenny Pittock | The Melon A how-to series on sketching KAWS GONE at NGV From Head of Conservation, Michael Varcoe-Cocks The early years of Jean-Michel Basquiat and Keith Haring With Senior Curator Miranda Wallace Drop-by Drawing with Minna Gilligan A how-to series on sketching KAWS: The abstractionist and contemporary colourist Senior Curator Dr Simon Maidment on Brian Donnelly KAWS: The influence of pop-culture Senior Curator Dr Simon Maidment on Brian Donnelly Marking Time Indigenous Art from the NGV with Judith Ryan AM, Senior Curator Drop-by Drawing with Lily Mae Martin A how-to series on sketching Josephine and Napoléon divorce Laurie Benson shares the story behind the painting Elizabeth Thompson’s The 28th Regiment at Quatre Bras A celebrated military painter A hand is discovered in Anne Forbes’ Portrait of Lady Elizabeth Hamilton Dr. Maria Quirk reflects on the work Top Arts 2020 Student Interviews KAWS: The Early Days Senior Curator Dr Simon Maidment on Brian Donnelly Hanging the NGV Salon Go behind the scenes Designing a Better World Marcus Fairs NGV Gala 2019 Keith Haring, the NGV Waterwall and art in the public space Olympia: Photographs by Polixeni Papapetrou An interview with Olympia Nelson and the curator Bleached Gothic An interview with Petrina Hicks How will technology transform the body? Lucy McRae In the Mind’s Eye Refik Anadol Cai Guo-Qiang: The Transient Landscape 360° Experience Alexander S. C. Rower in Conversation with Tony Ellwood Radical Inventor Interviews on Alexander Calder Landscapes of the Future Daan Roosegaarde The History of Women’s Fashion Interview with Katie Somerville and April Calahan Escher X nendo Benno Tempel and Cathy Leahy Interview with Krystyna Campbell-Pretty Top Arts 2019 Student Interviews Between Two Worlds Interview with nendo Founder, Oki Sato William Wegman & His Four-Legged Muses Julian Opie An influential British artist Visions of Paradise Ruth Shervington Ken Unsworth Truly, Madly Baldessin/Whiteley: Parallel Visions Sasha Grishin, Wendy Whiteley & Tess Edwards-Baldessin The American Dream Brett Whiteley Baldessin’s Pears George Baldessin Whiteley’s Lasting Legacy Wendy Whiteley Polyverse Polly Borland The Table Hecker Guthrie Cabinets of Curiosity Sibella Court for The Society Inc. A Web of Interior Design Scott Weston Primitive Domesticity Richards Stanisich An Interior Sanctuary Martyn Thompson Panic Room David Hicks Artful Domestic Living Flack Studios Fantastical Interiors Danielle Brustman Feast, Bathe, Rest Arent & Pyke The Art of Living Simply Amber Road Tim Ross MoMA at NGV: 130 Years of Modern and Contemporary Art MoMA at NGV 130 Years of Modern and Contemporary Art Colony: Frontier Wars Curators' perspectives Colony: Australia 1770–1861 Conservator’s perspective The Field Revisited The Field is recreated fifty years on Amedeo Modigliani Portrait of the painter Manuel Humbert Top Arts 2018 Student Interviews Top Arts 2017 Student Interviews Richard Mosse NGV Triennial 2017 Sissel Tolaas NGV Triennial 2017 Guo Pei NGV Trennial 2017 Estudio Campana | Yarrenyty Arltere Artists | Elliat Rich NGV Triennial 2017 Can artists and designers be agents of change? NGV Triennial 2017 Pae White NGV Triennial 2017 We Make Carpets NGV Triennial 2017 Formafantasma NGV Triennial 2017 Alexandra Kehayoglou NGV Triennial 2017 NGV Gala 2018 Making of Essence d’Herbier The House of Dior Maria Grazia Chiuri Interview The House of Dior Svetlana Lloyd Interview Modelling for the House of Dior Stephen Jones Interview The House of Dior Odile Interview Modelling for the House of Dior Making of Red Bar Coat in the Christian Dior Atelier The House of Dior Françoise Gilot Life of a painter NGV Gala 2017 Van Gogh and the Seasons The exhibition film A curator’s perspective Hokusai 北斎 A conservator’s perspective Hokusai 北斎 A stroke of genius Van Gogh Go inside Van Gogh and the Seasons Sjraar van Heugten Van Gogh and the Seasons 2017 Melbourne Winter Masterpieces The Impact of Technology on Creativity Linda Liukas Sea Country Spirits Jenny Crompton Artist Tables Claudia Moodoonuthi Narrbong Lorraine Connelly-Northey Blood on the wattle Yhonnie Scarce Not really Aboriginal Bindi Cole Chocka Contemporary design Patrizia Moroso The four seasons David Hockney Viktor&Rolf’s Zen Garden collection Thierry-Maxime Loriot Viktor&Rolf’s Russian Doll collection Thierry-Maxime Loriot The story of Viktor&Rolf Thierry-Maxime Loriot The Making of Viktor&Rolf: Fashion Artists Behind-the-scenes A shared history Viktor & Rolf A leap of faith Viktor & Rolf A great Australian artist John Olsen The Making of Andy Warhol – Ai Weiwei Behind the scenes Architecture of faith Glenn Murcutt Whistler’s Mother: An icon Dr Isobel Crombie Top Arts 2016 Student Interviews #4 Top Arts 2016 Student Interiews #3 Top Arts 2016 Student Interviews #2 Top Arts 2016 Student Interviews #1 Powers many manifestations Tony Garifalakis Contemplation and canvas Helen Johnson Giving new life to found objects Justene Williams Mapping space through sound Nathan Gray Transformation of value Marian Tubbs The making of the inaugural Summer Architecture Series John Wardle Architects Metal is treasure from the earth Korban/Flaubert Weaving connections between the traditional and contemporary Koskela and Elcho Island Arts Unconstrained by practicality and functionality Kate Rohde It’s just nice Daniel Emma A product has to justify it’s existence Adam Goodrum Merging form, material and process Brodie Neill Crafting continuity and subconscious attraction Khai Liew Unravelling textile techniques Exquisite Threads Songwriting and art-making Tom Iansek ‘Foolish’ endeavours Alex Gow Creating Characters Leigh Hobbs Making something out of nothing Alison Lester Making books – a love of language and art Ron Brooks Illustration as a writing process Shaun Tan The Life of an Illustrator Ron Brooks, Alison Lester, Leigh Hobbs and Shaun Tan The John Herbert Public Conservation Project Live conservation, part 4 The John Herbert Public Conservation Project Live conservation, part 3 The John Herbert Public Conservation Project Live conservation, part 2 The John Herbert Public Conservation Project Live conservation, part 1 Tom Roberts: naturalistic bent Curator Talk Comedy is sublime David Shrigley Accumulating a crowd Alex Prager A Dying Art – Taxidermy as a celebration of life Julia deVille Walls: A canvas for creative intervention Robin Rhode Melbourne Next: forward thinking solutions for urban life Daniel Browning Reduse Reuse Reappropriate: The trend of recycling in art and design Amanda Smith Integrated Art Forms: Blurred Boundaries Fenella Kernebone Melbourne’s Creative Collaborators Amanda Smith The solitude of the picture Jeff Wall and Thomas Demand Invisible Man Jeff Wall The Destroyed Room Jeff Wall Diagonal Composition Jeff Wall Life Scale Photography – A Sudden Gust of Wind Jeff Wall Knife Throw Jeff Wall Untangling Jeff Wall Cover Ups: the idea of total opacity Tony Garifalakis Paper Bag Lovers Siri Hayes People and process Eko Nugroho Shadow play Eko Nugroho An uncommon response to common people Jompet Kuswidananto Freedom of expression Jompet Kuswidananto Art to read reality Jompet Kuswidananto A poetic impression of change Jompet Kuswidananto Contraband inspires curiosity Jompet Kuswidananto Arthur Streeton: Celebrated, praised and loved Curator Talk Bertram Mackennal: Beauty to be discovered Curator Talk John Brack: Capturing the ordinary Curator Talk Russell Drysdale: The Artist Curator Talk