Visitors exploring NGV International. Photo: Tim Carrafa<br/>

Essays

Essay
A Studio of Her Own: Women Artists, 1500-1900
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Regencycore: Dress and Jane Austen
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Glass & Clay
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Divine Simplicity
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Absurd Realities
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Piero Lissoni’s Eda-mame, chaise and Piuma chair
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Eda-mame: Piero Lissoni
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A Most Famous Painter
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Ragnar Kjartansson: Mercy
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Sophonisba receiving the poison Mattia Preti
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From the archives: the writing of Ursula Hoff
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Introducing Westwood | Kawakubo
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Gli Scarpa
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Emerging from Darkness at Hamilton Art Gallery
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A tale of a frame
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Matsumoto, plants and the origins of avant-garde artist Yayoi Kusama
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Fashion in Tudor and Stuart portraiture Breeze Barrington
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Dionysus, bag Gucci
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Artona chair Afra & Tobia Scarpa, B&B Italia
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Look 8, dress Bottega Veneta
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The art of imitation
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Kimono through the ages
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Sir Sampson Gideon and an unidentified companion Pompeo Batoni
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Gaetano II Sforza Cesarini, Duke of Segni Pompeo Batoni
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Rest on the flight into Egypt with Saint Catherine and angels Paris Bordone
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Richard Avedon Renée, the New Look of Dior, Place de la Concorde, Paris, August 1947
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Contemporary Korean jewellery
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Rembrandt Abraham Francen, apothecary and Studies of the head of Saskia and others
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Elizabeth Emma Soyer The escape
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Slow futures: time and techno-orientalist environmental threat in Yang Yongliang’s Phantom landscape
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Frank Lloyd Wright Vase
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Jean Ipoustéguy’s Death of the father at the NGV: marble, metal and lots of ink
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Study for an ignudo Annibale Carracci
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A Studio of Their Own: Lavinia Fontana and Elisabetta Sirani
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Stories of a collection: How Boston embraced Impressionism