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Featuring:
Fred Wilson’s To die upon a kiss 2011 by Sigourney Jacks and Trude Ellingsen (p.48)
Luminous: Caring for Light in Artworks By Suzi Shaw, Dianne Whittle and Trude Ellingsen (p.68)
When artist and conservator meet: Working with artist Jonathan Ben-Tovim by Dianne Whittle (p.92)

Featuring:
Collecting environments: Stories from NGV Conservators by MaryJo Lelyveld, Dianne Whittle, Ruth Shervington, Pip Morrison and Suzi Shaw (p.36)
NGV Collaborates with CSIRO to create a new varnish by Carl Villis and Jessica Lehmann (p.64)
Arthur Streeton’s The purple noon’s transparent might 1896 by Michael Varcoe-Cocks and Jessica Lehmann (p.72)
Collection Care in COVID times by Michael Varcoe-Cocks (p.102)
Rehousing the Andrée Harkness Gift by Enrique Tochez Anderson (p.103)

Featuring:
Conservator Insight: Rembrandt’s Papers by Ruth Shervington (p.16)
On Collecting: The Von Bullingen album of watermarks from the early nineteenth century by Louise Wilson (p.25)
The articulate landscape of Thomas Clark by Caitlin Breare (p.85)
New NGV Conservation microsite by Jessica Lehmann (p.104)
Peter Dombrovski’s images of Tasmania by Pip Morrison (p.104)
Nicholas de Largilliere’s Portrait of a Lady 1705 by Caitlin Breare (p.105)
Art from the TIWI Islands: A Conservation perspective by Raymonda Rajkowski

Featuring:
Revealing Constance Stokes’s woman in green by Raye Collins (p.80)
Another side of Grace Crowley by Raye Collins and Beckett Rozentals (p.86)
The science of art: inside the NGV conservation team by Jess Lehmann (p.96)
Collaboration during COVID-19 by MaryJo Lelyveld (p.109)

Featuring:
The gilded frame by MaryJo Lelyveld (p.19)
Textiles: finding the perfect match by Skye Firth (p.21)
The artists’ palette: pigments by Raye Collins (p.22)
Conservator insight: Korean screens by Ruth Shervington (p.35)
In her likeness by Jessica Lehmann (p.78)
Revelations through X-radiography by Trude Ellingsen (p.103)
Jewellery materiality by Trude Ellingsen (p.104)
Behind the scenes: preparation for a Japanese fan by an unknown maker by Ben Raynor (p.104)
Reframing Hugh Ramsay’s (interior of artists studio) by Jason King (p.105)

Featuring:
Solving a conservation puzzle by Marika Strohschnieder (p.98)
In the frame (reframing Pissarro) by Holly McGowan-Jackson (p.99)

Featuring:
Australian Framing Royalty: Lillie Williamson by Jessica Lehmann and Holly McGowan-Jackson (p.60)
The paper boy 1888, Florence Fuller by Michael Varcoe-Cocks (p.82)

Featuring:
William Blake’s Virgil Wood engravings by Louise Wilson (p.45)
Pieta by Marika Strohschnieder (p.60)
Framing the archer by Holly McGowan-Jackson (p.67)
Reframing Louis Buvelot’s Mount Martha from Dromana’s Hill by Jason King (p.97)
Contemporary Art Conservation Research by Jessica Lehmann (p.97)

Featuring:
Zaha Hadid: Wave Sofa by Suzi Shaw (p.50)
Fashionably pink [habit a la francais 18th century] by Danielle Whitfield and Skye Firth (p.86)
Anthony van Dyck: Philip Herbert 4th Earl of Pembroke c.1634 by Carl Villis (p.98)
The crown jewel replicas c.1936 by Marika Strohschnieder (p.97)
NGV workshop for the Getty Conservation Institute’s Preserving Collections in the age of sustainability course by MaryJo Lelyveld (p.98)

Featuring:
Unfinished business by Carl Villis (p.84)

Featuring:
Australian framing royalty: Lillie Williamson by Holly McGowan-Jackson & Jessica Lehmann (p.66)

Featuring:
Hidden behind the candlelight by Carl Villis (p.17)
Framing the Archer by Holly McGowan-Jackson (p.27)