Installation view, REKOSPECTIVE. Photo Kate Shanasy

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Discover the stories behind NGV Collection works and exhibitions.

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Yayoi Kusama | Exhibition Overview
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It’s a dog’s life
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Richard Avedon Renée, the New Look of Dior, Place de la Concorde, Paris, August 1947
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Intersecting lines: the constructive paintings of Grace Crowley and Ralph Balson
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Contemporary Korean jewellery
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Gemma Smith Bask
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Maison Martin Margiela Bodice and Dress and apron
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Matthew Harris The British Museum
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Rembrandt Abraham Francen, apothecary and Studies of the head of Saskia and others
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Elizabeth Emma Soyer The escape
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Slow futures: time and techno-orientalist environmental threat in Yang Yongliang’s Phantom landscape
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A dance of materials: between the organic and inorganic in Iris van Herpen’s fashion
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Frank Lloyd Wright Vase
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Southern sojourns: Harden Sidney Melville’s 1874 painting of a Torres Strait canoe animated by Kulkalgal and Kemer Kemer Meriam voices of expeditions along the Great Barrier Reef
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Jean Ipoustéguy’s Death of the father at the NGV: marble, metal and lots of ink
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NGV Spotify playlists Gallery Playlist
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Framing the future: The growth of Australian houses
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Sacred geometry: The art and life of Reko Rennie
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A closer look: Designing Cats and Dogs in Art & Design
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A closer look: Designing the publication for Pharaoh
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Reimagining Birrarung
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Voice of the Birrarung river Uncle Dave Wandin, Wurundjeri Woi Wurrung Elder and Birrarung Council member.
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Reimagining Birrarung Design Concepts For 2070
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Portrait of Venice: Majestic Murano A journey through the complex history of Venetian glass
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Pharmacy jar from Santa Maria Nuova Italy, Florence (manufacturer), Giunta di Tugio (workshop of)
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Parure Italy, Rome
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Pair of armchairs Andrea Brustolon
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Doge Pietro Loredano Jacopo Tintoretto
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The finding of the true cross Cola dell'Amatrice
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The work of photographer Bruno Benini
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Les Gray’s Assignment, Rome Elisa Scarton
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Alato, vase Gio Ponti
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Countess Matilda of Tuscany Gianlorenzo Bernini
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The Crossing of the Red Sea Nicolas Poussin
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Madonna and Child with Saint John the Evangelist, Saint John the Baptist, Saint James of Compostela and Saint Nicholas of Bari Agnolo Gaddi
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Filippo Neri Italy/Spain
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Crucifixion Prospero Mallerini
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River landscape with Tiburtine Temple at Tivoli Claude Lorrain
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Dress and coat, spring–summer 2014 Prada, Milan
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The well Giovanni Battista Piranesi
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The Holy Family of Francis I, St Elizabeth, Saint John and the infant Christ Giulio Romano
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Capriccio: a tomb by a lagoon Canaletto
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Diana Giovanni Battista Piazzetta
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Caryatid Amedeo Modigliani
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Study for St John the Baptist Andrea del Sarto
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Study for an ignudo Annibale Carracci
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Celebrating 30 years of NGV Top Arts
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Rembrandt’s watermarked papers at the National Gallery of Victoria
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From Cologne to Melbourne: The watermark collection of Canon Ludwig von Büllingen
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NGV Educator John Parkinson
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Pharaoh | Exhibition overview Melbourne Winter Masterpieces® 2024
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Amorous soldiers and Amazons: queer tales from antiquity
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Sites of refuge, connection, creation, resistance and loss: the queer bar and nightclub in the twentieth century
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Future Press at Melbourne Art Book Fair 2024
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Afrotopia
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In the light of Destiny somewhere over the rainbow
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When Crowley Met Balson
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Pharaoh | 3000 years Melbourne Winter Masterpieces® 2024
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Surrealism and Design
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Flicking the switch
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Pharaoh | Exhibition preview Melbourne Winter Masterpieces® 2024
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Yayoi Kusama at NGV
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Reframing Swynnerton
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Christien Meindertsma | MECCA x NGV Women in Design Commission 2024
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Megacities NGV Triennial
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My Country: Country Road + NGV First Nations Commissions
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Tony Albert and Warraba Weatherall | My Country
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James Tylor and Aidan Hartshorn | My Country
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Jonathan Jones and Sophie Honess | My Country
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Pedro Wonaeamirri and Johnathon World Peace Bush | My Country
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Vincent Namatjira OAM and Alec Baker & Eric Barney | My Country
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Denise Robinson and Cheryl Rose | My Country
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Maree Clarke and Mitch Mahoney | My Country
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Peggy Griffiths and Jan Griffiths | My Country
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NGV Triennial 2023 | Exhibition introduction
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Hugh Hayden NGV Triennial
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Diana Al-Hadid NGV Triennial
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Top Arts 2024 | Hector Hennessey Student interview
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Top Arts 2024 | Jett Leduc Student interview
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Top Arts 2024 | Lucas Taylor Student interview
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Top Arts 2024 | Kate Jing Student interview
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Top Arts 2024 | Arthur Bartura Student interview
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Top Arts 2024 | Mataso Chung Student interview
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Top Arts 2024 | Milly Borrack Student interview
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Top Arts 2024 | Eleftheria Dabos Student interview
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Top Arts 2024 | Paul Halton Student interview
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Top Arts 2024 | Elliot Broome Student interview
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Top Arts 2024 | Alex Savesky Student interview
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Top Arts 2024 | Maya Donaldson Student interview
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Top Arts 2024
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The craft and care of Chinese lacquer
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The case of the fraudulent fur
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Hugh Hayden
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My Country
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A Conversation with Tracey Emin
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David Shrigley | Really good NGV Triennial
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The secret of the doll’s dress
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Agnieszka Pilat NGV Triennial
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Franziska Furter NGV Triennial
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Smac McCreanor NGV Triennial
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Exhibition Introduction NGV Triennial
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Mun-Dirra (Maningrida Fish Fence) NGV Triennial
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Jean Jullien | Rififi: Jean Jullien for Kids NGV Triennial
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Fernando Laposse NGV Triennial
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David Shrigley | Melbourne Tennis Ball Exchange NGV Triennial
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Elisabetta Sirani’s Head of a boy
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Sheila Hicks
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Dog days
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In the studio with Agnieszka Pilat
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Visible and invisible
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Hidden story of the city
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Moving, working, flowing
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This chaotic and tangled place
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Diverse megalopolis
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Multilayered vibrancy
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Urban symphony
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City of magic
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In a state of constant movement
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After the thaw
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Fragile flight of memory
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In kind
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Haunted objects
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The fold
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Seeing ordinary men and women
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Art in the continuum of nature
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Peel slowly and see1
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Celluloid megacities
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Please scream inside your heart
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Gather ye rosebuds
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The door the bone dress opened
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Infinite horizons
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Myth, Matter and Satellites
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Painting space
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Grafting shadows
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A kaleidoscopic lens
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Resisting closure
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The great breath
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Treading lightly in a world of many worlds
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Who am I? Paola Pivi
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A journey through Watercolour Country
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Bethan Laura Wood | MECCA x NGV Women in Design Commission 2023 NGV Triennial
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Ore streams – Table Formafantasma
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Ore streams – Low chair Formafantasma
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Ore streams – Desk Formafantasma
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Ore streams – Screen 2 Formafantasma
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Ore streams – Screen 1 Formafantasma
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Ore streams – Cabinet Formafantasma
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Volute krater (Apulian red-figure ware) Italy, Apulia
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Squat lekythos (Apulian Gnathian ware) Italy, Apulia
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Pelike (Apulian red-figure ware) Italy, Apulia
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Post Mundus chair Martino Gamper
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Alice armchair Jacopo Foggini
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Ghost, armchair Cini Boeri and Tomu Katayanagi
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Infinite woven symphony
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Yang Metamorfosi Carlotta de Bevilacqua
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Archaistic kore; Head of kore Italy
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Head of Septimius Severus   Italy
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Head of Vespasian   Italy
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Patchwork (Pezzato) vase Venini & Co., Murano
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Candelabrum Venice and Murano Glass and Mosaic Company, Venice
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Tazza Italy, Venice
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Handkerchief (Fazzoletto) vase Venini & Co., Murano
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Alpheus and Arethusa, Salmacis and Hermaphroditus, double-spouted ewer  Fontana Workshop, Urbino
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Diana and Acteon, dish  Italy, Tuscany
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Diana and Acteon, plate from the Sapies service  Italy, Casteldurante
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Compact tablewares Lella and Massimo Vignelli
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Beanbag (Sacco) Piero Gatti, Cesare Paolini and Franco Teodoro
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Portrait of the painter Manuel Humbert Amedeo Modigliani
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The Mocking of Christ Orazio Gentileschi
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Head of a boy (recto); Compositional study for classically attired male and female figure (verso) Elisabetta Sirani
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Flagellation group Alessandro Algardi  
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The Virgin attended by three holy women Antonio Begarelli  
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Evening gown Versace
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Antica pasticceria Milano, handbag Franco Moschino
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Delphos Mariano Fortuny
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Piazza d’Italia Giorgio de Chirco
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The three Marys at the sepulchre Franceso Romanelli
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Mystic marriage of St Catherine Lavinia Fontana
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St George slaying the dragon Paolo Uccello
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A monk with a book Titian
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Charity Alessandro Turchi
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Madonna in prayer Sassoferrato
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Cardinal Richelieu Gianlorenzo Bernini
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Bacino di S. Marco: From the Piazzetta Canaletto
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Ruins of the Forum, Rome Bernardo Bellotto
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The Cumaean Sibyl delivering the Oracles Giovanni Paolo Panini
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Luigi Boccherini Italy
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Portrait group: The singer Farinelli and friends Jacopo Amigoni
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Chair Carlo Bugatti
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Carlton room divider Ettore Sottsass and the Memphis Milano Group
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Madonna and Child with infant Saint John the Baptist Correggio
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Huntsman sounding his horn with a staghunt in the distance Parmigianino
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Lucrezia Borgia, Duchess of Ferrara Dosso and Battista Dossi
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Martyrdom of St Lawrence Jusepe de Ribera
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The Banquet of Cleopatra Giambattista Tiepolo
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Prime mover (Primo mobile)   Master of the E-series Tarocchi
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Battle of the nudes Antonio Pollaiuolo
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Battle of the sea gods: right half of a frieze   Andrea Mantegna
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Massacre of the Innocents   Marcantonio Raimondi  
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The Annunciation Federico Barocci  
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Madonna and Child with three angels Cosimo di Lorenzo Rosselli
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Love is blind Donato Barcaglia
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My Country The Country Road + NGV First Nations Commissions
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Framing the modern: Twentieth-century picture frames in Melbourne and beyond
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NGV x MECCA: Kaylene Whiskey
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Connecting the Dots: First Peoples Art from the NGV with Tony Armstrong Podcast
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Conservator insight: Conoid, bench, 1966
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The rise and fall of Milan Memphis
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George Nakashima and Isamu Noguchi: A Life Between
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Annual Appeal 2023
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A salute to Frau-haus!
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Virtual Tour with Dr Miranda Wallace and India Mahdavi HSBC In Conversation series | Pierre Bonnard: Designed by India Mahdavi
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In conversation with Dr Ted Gott, Senior Curator, International Art HSBC In Conversation series | Pierre Bonnard: Designed by India Mahdavi
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In conversation with Dr Miranda Wallace, Senior Curator, International Exhibition Projects HSBC In Conversation series | Pierre Bonnard: Designed by India Mahdavi
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In conversation with Michael Varcoe-Cocks, Associate Director, Conservation HSBC In Conversation series | Pierre Bonnard: Designed by India Mahdavi
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In conversation with Simone LeAmon, The Hugh Williamson Curator of Contemporary Design and Architecture HSBC series | Pierre Bonnard: Designed by India Mahdavi
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A radical style
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Stories of saris
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‘A companion to the horizon’
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Artist Profile: Frank Lloyd Wright
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The influence of nature
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Unworldly Goods
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Bi Warrior Figure, 2022
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Liam Young: the worlds of tomorrow
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Shedding new light on James Tissot’s An interesting story
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Design through history : Shaker design and furniture
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Dame Elisabeth’s embroidered garden
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Three things you didn’t know about Pierre Bonnard Pierre Bonnard: Designed by India Mahdavi
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Exploring frames and framing in late 19th century Melbourne through the transcription of Thallon’s ledger 1888/89–1903
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Troy Emery Melbourne Now
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Mark Smith Melbourne Now
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Shaun Gladwell Melbourne Now
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Gracia and Louise Melbourne Now
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Great Wrap Melbourne Now
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Rel Pham Melbourne Now
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Brud Studia Melbourne Now
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Elvis Richardson Melbourne Now
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Lou Hubbard Melbourne Now
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James Lemon Melbourne Now
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Globe International Melbourne Now
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Kelly Koumalatsos Melbourne Now
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NGV Conservation: Rembrandt’s tools Rembrandt: True to Life
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The Legacy of Pierre Bonnard Pierre Bonnard: Designed by India Mahdavi
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The Interior Space
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NGV Asian Art Collection
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Pierre Bonnard: Designed by India Mahdavi | Exhibition introduction Melbourne Winter Masterpieces® 2023
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The restorer’s mark: investigating the past restoration of an NGV chair
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The Weight of Air
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Salvador Dalí: Mae West’s lips
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Top Arts 2023 | Rufus Punton
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Top Arts 2023 | Milo Strangio
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Top Arts 2023 | Michael Fisher
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Top Arts 2023 | Miranda Plowman
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Top Arts 2023 | Mae Czechowski
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Top Arts 2023 | Jack Snow-Viener
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Top Arts 2023 | Amy Seymour
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Top Arts 2023 | Lola Vincent
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Top Arts 2023 | Kelly Hirschmann
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Top Arts 2023 | Celeste Yun Hang
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Top Arts 2023 | Jevons Wang
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Top Arts 2023 | Beth Pert
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Top Arts 2023
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Joy Hester Pauline McCarthy
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Edwaert Collier Trompe l’œil with a letter rack holding newspapers, letters, writing equipment and a comb
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England Bedcover
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The rainbow flag: a borderless design
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Florence Henri Nude composition (Nu composition)
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Sèvres Porcelain Factory Eleven figures from The Scarf Dance, table centrepiece (Le Jeu de l’Écharpe)
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Coming back home
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The rise and fall of Glyn Philpot
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Queering the family portrait: Jacopo Amigoni’s portrait of Farinelli and friends
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Hannah Brontë EYE HEAR U MAGIK
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Richard Estes Urban landscapes I
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Tcheu Siong Chao and the Three Spirits (Yawm Saub Chao)
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Interpreting Shunga scroll: sex and desire between women in Edo’s ‘floating world’
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Paul Yore The Evacuation of Mallacoota
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Queering the nation, querying the history of Black portraiture: Zanele Muholi’s Somnyama Ngonyama as a healing ritual
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The Prada dress Fashion Illustration with Angie Réhe
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The Gucci coat Fashion Illustration with Angie Réhe
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The Dior shoe Fashion Illustration with Angie Réhe
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Gothic snowflake
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An Interview with Michael Schmidt Alexander McQueen: Mind, Mythos, Muse
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Spring, from the four seasons
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Writer Response: Emotion and Empathy
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Hidden behind the candlelight
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China – The Past Is Present
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MECCA x NGV Women in Design Commission | Tatiana Bilbao
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Global trade and the rise of luxury
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Sun queen
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Zaha Hadid: Wave sofa 1988
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Public Reaction to Ron Mueck’s Mass
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Curators Against the Clock | Wifredo Lam The Picasso Century
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Curators Against the Clock | Picasso’s Sculptures The Picasso Century
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Creating Queer Spaces | NGV and American Express Present: Queer Creatives
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Jewellery and Body Adornment from the NGV Collection
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A Studio of Their Own: Lavinia Fontana and Elisabetta Sirani
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On the AR.Trail
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Augmentation of the Senses
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Augmented Reality in Museums
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The Picasso Century | Online tour Melbourne Winter Masterpieces® 2022
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Curators Against the Clock | Picasso and Politics The Picasso Century
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Curators Against the Clock | Marie Laurencin The Picasso Century
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A hard day’s night: conserving David McDiarmid’s collaged works on paper
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Session one: Queer People Archiving Their Histories QUEER X AQuA: Mining Queer Histories
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Session two: The Legacy of David McDiarmid QUEER X AQuA: Mining Queer Histories
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Session three: HIV/AIDS Activism, Then and Now QUEER X AQuA: Mining Queer Histories
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Session four: Landmark LGBTQ+ Exhibitions in Australia QUEER X AQuA: Mining Queer Histories
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Lavinia Fontana Europe's first professional woman painter
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Women and Dutch still life painting
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The Picasso Century | Exhibition introduction Melbourne Winter Masterpieces® 2022
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Moving Backwards by Pauline Boudry and Renate Lorenz QUEER: Stories from the NGV Collection
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Transforming Worlds: Change and Tradition in Contemporary India
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Top Arts 2022 | Exhibition introduction
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Requiem to New York: Photographs by Ashley Gilbertson
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QUEER: Stories from the NGV Collection Exhibition introduction
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The Picasso Century Melbourne Winter Masterpieces® 2022
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Bark Ladies: Eleven Artists from Yirrkala | Episode four: The Gecko and the Mermaid: Djerrkŋu Yunupiŋu and her sister
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Transforming Worlds: Change and Tradition in Contemporary India
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Top Arts 2022 | Student interview compilation
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Top Arts 2022 | Amy Pham Student Interview
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Top Arts 2022 | Arthur Foulkes Student Interview
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Top Arts 2022 | Daniel Ireland Student Interview
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Top Arts 2022 | Sandra Gibbins Student Interview
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Top Arts 2022 | Sebastian Durham Student Interview
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Top Arts 2022 | Zara Blake Student Interview
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Top Arts 2022 | Frida Morden-Paino Student Interview
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Top Arts 2022 | India Wallace Student Interview
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Top Arts 2022 | Kellie Palatino Student Interview
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Top Arts 2022 | Liana Keleman Student Interview
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Top Arts 2022 | Milla Freeman Student Interview
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Top Arts 2022 | Ringoro Watanabe Student Interview
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Queer: Stories from the NGV Collection with Courtney Act Podcast
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Top Arts 2022
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Lavinia Fontana Mystic Marriage of St. Catherine
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NGV Collection Highlight | Sori Yanagi Curator talk
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American Japanese Design Curator talk
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Sampling the Future | Knitted Architecture Ewan McEoin, Jenny Underwood & Leanne Zilka
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Sampling the Future | MARS Ewan McEoin & Alex Goad
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Julia Gillard in conversation with Dhambit Munuŋgurr Bark Ladies: Eleven Artists from Yirrkala
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Bark Ladies: Eleven Artists from Yirrkala | Episode three: Contemporary interpretations in bark paintings
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Gabrielle Chanel. Fashion Manifesto | Collecting Chanel Preserving the past
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Gabrielle Chanel. Fashion Manifesto | The little black dress A symbol of modernity
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Gabrielle Chanel. Fashion Manifesto | Curator favourites Curator talk
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Camille Henrot in conversation With NGV Curator
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Bark Ladies: Eleven Artists from Yirrkala | Episode two: Yolŋu women and bark painting
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Bark Ladies: Eleven Artists from Yirrkala | Episode one: Introduction
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Djerrkŋu Yunupiŋu: I am a Mermaid
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Donga Maymuru: Harvesting bark 
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Naminapu Maymuru-White: River of Heaven and Earth 
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Bark Ladies: Eleven Artists from Yirrkala
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Unboxing Gabrielle Chanel. Fashion Manifesto Behind the scenes
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Introducing Gabrielle Chanel. Fashion Manifesto Curated by the Palais Galliera, Paris
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Kai-awase: the shell-matching game
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A golden opportunity
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Revealing the hand of the craftsman
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Sampling the Future
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Found and Gathered
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NGV X MECCA: Naomi Hobson
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Lucy McRae’s Prickly lamp History in the Making
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Virtual Curator Tour | Goya Exhibition highlights
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A riveting past
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Art and Change with Ben Quilty We Change the World
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Australian Impressionism 9 by 5 frames Recreating a frame
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Lillie Williamson’s frames A conservator’s insight
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Goya’s tools and techniques A conservator’s view
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What are children’s plans for the planet? Future thinking
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The articulate landscape of Thomas Clark
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Design and Change with Brodie Neill We Change the World
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Goya’s Visions
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Goya: Impossible Monsters Digital Publication
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Pietà
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History in the Making exhibition introduction With NGV Curator
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In her likeness: Recasting the stories of famous women in art
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Australian Impressionism exhibition tour A curator's perspective
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The Female Australian Impressionists Pivotal painters
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Charles Conder’s Hot Wind and the femme fatale A curator’s perspective
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Maree Clarke: Ancestral Memories Exhibition introduction
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What is a possum-skin cloak? With artist Maree Clarke
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Art and Change with Ryan Presley We Change the World
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‘Who was this talented Maria Margaretha la Fargue?’
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Bushfire Brandalism Posters
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Finding Time
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Rebels: The Life-changing Women’s Movement Behind a Prison Medal
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We Change the World | NGV Teen Council 2021 Reflections
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A Fresh view of Spring: reframing a Streeton landscape
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Making whole again: Re-creating large missing ornaments on two frames
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Tool box of a frame maker
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Caring For Your Frames
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What do frame maker labels reveal?
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A closer look at the Poussin frame and frame-making in early 18th century Paris
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The 28th Regiment at Quatre Bras (1875) frame treatment
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Framers in Focus: Nineteenth-century Melbourne frame makers
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Framers in Focus: Elizabeth (Lillie) Williamson
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Framers in Focus: J. Caro
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Framers in Focus: Gill’s Fine Art Gallery
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Framers in Focus: Artistic Stationery Company (James Buxton)
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Framers in Focus: W. J. Tiller
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Framers in Focus: John Thallon
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Framers in Focus: Alexander Fletcher
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Framers in Focus: W.R. Stevens
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Framers in Focus: Isaac Whitehead
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Framers in Focus: John MacLachlan
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Framers in Focus: Richard Foster Norton
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Framers in Focus: Campi Family
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An interview with Jeff Koons In conversation with NGV Director
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Julian Rosefeldt
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Maree Clarke’s Ritual and Ceremony Ancestral Memories
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Maree Clarke’s possum-skin cloak Ancestral Memories
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Tattooing Goya Saturn Devours His Son
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Gabrielle Chanel. Fashion Manifesto In partnership with the Palais Galliera
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Victorian Artists Society on painting en plein air Continuing the Impressionists' legacy
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An ode to the airbag
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Big Weather | Exhibition introduction NGV Indigenous Art Collection
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An interview with Clinton Naina Big Weather
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We Change the World
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Goya | Exhibition Introduction Drawings from the Prado Museum
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‘The past is in the present is in the future’
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Art and Change with Hoda Afshar We Change the World
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Buddhism, Mindfulness & Asia Asia Society X NGV
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Design and Change with Yan Huang We Change the World
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Mindfulness in Taekwondo Asia Society X NGV
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Woven Song – Pukumani By Deborah Cheetham AO
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Mary Tonkin on painting en plein air Continuing the Impressionists' legacy
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Country without Rain
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Art Nouveau 101 Decorative Arts
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Looking skywards: the endless capability of clouds
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Woolgathering
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Me and my muse
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The art of mindfulness
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A silent and invisible conversation
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NGVWA Presents ‘Art of Tea’ Thursday 6 May 2021
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History in the Making
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Triennial conversations | Dhambit Munuŋgurr In conversation with Myles Russell-Cook
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In conversation: Lee Darroch
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Seeing what they saw
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Telstra Creativity and Innovation Series Keynote: Redesigning Artificial Intelligence – From Australia Out
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Can we all have a happy life?
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The intricate designs of Lisa Waup
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Adam Pyett on landscape painting Continuing the Impressionists' legacy
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Brodie Neill on Gyro, table 2016
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Formafantasma
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The magnetising Jólan van der Wiel
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Alexandra Kehayoglou
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Artist Profile: Hoda Afshar
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Ben Quilty on 150 year, Rorschach 2019
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But goodways
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Tiffany Studio: Clara Driscoll
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Salon et Lumière | A Telstra Creativity and Innovation Series presentation
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NGV Triennial | JR’s Homily to Country
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Sheep conservation: A hard slide
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Top Arts 2021 | Exhibition Introduction
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Top Arts 2021 | Sarah Hare Student Interview
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Top Arts 2021 | Sarah Jajou Student Interview
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Top Arts 2021 | Olivia Jonasz Student Interview
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Top Arts 2021 | Irene Lee Student Interview
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Top Arts 2021 | Francesca Di Paolo Student Interview
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Top Arts 2021 | Luca Feldman Student Interview
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Top Arts 2021 | Madeleine Colt Student Interview
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Top Arts 2021 | Angelina Innocent Student Interview
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